6/4/2023 0 Comments Joi singer![]() ![]() (2018) Epiphany, Multicultural Theatre Project, Pepperdine University, Malibu, CA. Gindler Performing Arts Center, Glendale, CA. Adaptation: Nambi E, Kelley, Anteaus Theatre, Kiki & David Adaptation: Nambi E, Kelley,Kirk Dougkas Theatre, Center "Maya Angelou." In Encyclopedia of African American Women Writers, Volume I. Norms." In I cons of Hip Hop, Volume II, Mickey Hess Ed. "Missy Elliot: Transcending Conventional Hip Hop Aesthetics and Industry In the Dark." Black Camera International Journal, BC Vol. "The Paraphernalia of Suffering: Chris Rock's Good Hair, Still Playing Producer, Director and Executive)." Black Camera International Journal, BC Vol. “To Be Actually Honest: An Interview with Reginald Hudlin (Writer, “ Django Unchained: Disrupting Classic Hollywood Historic Realism?" Black Camera International Journal, BC Vol. Tony award Nominee, Keith David,” PAMLA, Vol. “Crafting Longevity: An Interview with Triple Emmy Award Winner and Charlotte, NC: Information Age Publishing, 95-118. “What Happens when Classical Hollywood Narrative and American MythosĬonverge?” Blessed Are Those who Ask Questions. (2023) “Framing the Feminine: Harriet, Constructing Black Female SubjectivityĪnd Agency.” In The Post-Soul Cinema of Kasi Lemmons, Dianah Wynter Ed. 2 (Spring, 2016), Indiana: Indiana University Press. Black Camera International Journal, BC Vol. John Singleton, The Soulful Auteur, Bloomington, IN: Indiana University Press. ![]() ![]() Theomusicology and Ralph Ellison’s Invisible Man. Encountering Texts: The Multicultural Theatre Project and ‘Minority’ Literature. Boyz N the Hood: Shifting Hollywood Terrain. Revised Edition with Foreword by Stephanie Allain. Voice: African American Women and Vocation. She’s Reel: Black Women (Re)Constructing Cinematic Voice. Movies, Myth, Culture, and Me, Grand Rapids, MI: Eerdmans. Gracing It Out: Voice as Vocational Journey, in progress. ![]()
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